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Take Yo Time

by Ben Hunter & Joe Seamons

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1.
Got a long tall mama, she stands about seven feet nine, Got a long tall mama, she stands about seven feet nine, And when she get to lovin' holler "Papa won't you take your time." Oh, when she start to lovin, she sure can do her stuff. when she start to lovin, she sure can do her stuff. And she squeeze me so tight, holler "Mama, Lordy, that's enough." Got a brand new move, it's known as one that she calls her own, Got a brand new movement, one that she calls her own, And when she start to kissin' make a poor man leave his home. And she do a little this, and mama, and she do a little that, Son, she do a little this, mama, Lord and she do a little that, And when she put on full steam, make a freight train jump her track. Said she's long and tall, handsome, sweet as she can be. Said she's long and tall, handsome, sweet as she can be. To satisfy that woman takes more than a bumble bee.
2.
I’m gonna run through the streets of the city Where the rest have run before, I’m gonna sit down on the banks of the river I won’t be back no more. We gonna have a good time when we all get there— Gonna sit round my god’s door. Well when I get up in heaven I want you to be there, too. I’m gonna sit down with Abraham, John and Jacob, Tell ‘em all bout the trouble I been through. Well, gonna meet my mother and father, My sister and my brothers, too.
3.
Feel like a broke down engine : ain't got no driving wheel Feel like a broke down engine : ain't got no driving wheel Been down and lonesome--you know how a poor man feels. I've been shooting craps and gambling : mama and I done got broke Been shooting craps and gambling : mama and I done got broke I done pawned my pistol : mama and my best clothes been sold. Lordy Lord . . . I went down to my praying ground : and fell on bended knees I went down to my praying ground : and fell on bended knees I ain't crying for no religion : Lordy give me back my good gal please If you give me my baby : Lord I won't worry you no more If you give me my baby : Lord I won't worry you no more You ain't got to put it in my house : Lordy only lead her to my door Lordy Lord . . . Don't you hear me baby : rappin on your door Don't you hear yo daddy : rappin on your door Then I get down snake-like and tappin flat, slip light ‘cross your floor. Feel like a broke down engine, ain't got no drivers at all. Feel like a broke down engine, ain't got no drivers at all. What makes me love my woman--she can really do the Georgia crawl. Lordy, lord . . . Feel like a broke down engine : ain't got no whistle or bell. Feel like a broke down engine : ain't got no whistle or bell. If you's a real hot mama--drive away daddy's weeping spell I won’t be back no mo’, baby.
4.
Got the blues, can't be satisfied Got the blues, can't be satisfied Keep the blues, I'll catch that train and ride Yes, whiskey straight will drive the blues away Yes, whiskey straight will drive the blues away That be the case, I wants a quart today I bought my baby a great big diamond ring I bought my baby a great big diamond ring Come right back home and caught her shaking that thing I said, "Babe, what make you do me this a-way?" I said, "Babe, what make you do me this a-way?" Well, that I bought, now you give it away I took my gun and broke the barrel down I took my gun and broke the barrel down I put that joker six feet in the ground
5.
This was a well-established pop number by the time Charlie Patton recorded his interpretation in 1927. Search for the song's title on Youtube and you can hear it performed by Sophie Tucker, Ethel Waters, Bing Crosby, Cab Calloway, The Mills Brothers, and Fletcher Henderson. Here is Patton's version: http://www.youtube.com/watch?v=hTJz7B6ou7g&feature In our interpretation, we imitated the way Patton's recording slowly speeds up, but we kicked it off at an even slower tempo. The choice to use hamboning was in reference to the fact that Patton creates all sorts of complex rhythms by patting his feet and tapping the guitar. One of the finest, concise pieces on Patton can be read on Elijah Wald's website: http://www.elijahwald.com/patton.html

about

These are our first songs recorded as a duo in the studio. Many of these songs were learned from or inspired by our time studying blues music with current living masters such as Phil Wiggins, Guy Davis, Jerron Paxton, Sunpie Barnes, Steve James, Mary Flower, Dom Flemons, and many, many more fine musicians.

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released November 14, 2014

Recorded by George Rezendes at Toolshed Soundlabs in Pt. Townsend, WA. September 27 - 28, 2013.

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Ben Hunter & Joe Seamons Seattle, Washington

Ben & Joe give life to voices that have long been silenced in American culture.

Their award- winning performances are highlighted by story-telling that shows how the past still lives in the present.

Through their songs, audiences witness current issues crop up again and again in folk songs, dance tunes, acoustic blues, and original traditional songs.
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